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soniChroma (2016/2025)

concerto for percussion duo and orchestra
also a version for percussion duo and wind ensemble
also a version for percussion duo and digital playback
$130 Digital Download: Full Orchestral Score (PDF), Percussion Solo Parts (PDF), Practice Tracks (to train for a performance with a large ensemble), Performance Tracks (for digital playback version), Setup Photos, and Reference Recording (performed by Quey Percussion Duo)

Orchestra Parts - RENTAL ONLY (please send email for details)
Wind Ensemble Parts - RENTAL ONLY (please send email for details)

I. Arylide Spark
II. Cerulean Dusk
III. Electric Amaranth

"soniChroma" (meaning “sound color”) is a double concerto for two percussionists and orchestra (wind ensemble and digital playback versions also available) in 3 movements (approximately 25 minutes). As the title suggests, a large focus of the piece is placed on unique sonic color and instrument combinations. This can be seen throughout the orchestra, but prominently in the large percussion solo setup. The percussion setup contains over seventy instruments including skins, metals, woods, strings, non-Western instruments, and found objects.

*Purchase is for the following, delivered electronically: Full Orchestral Score (PDF), Percussion Solo Parts (PDF), Practice Tracks (to train for a performance with a large ensemble), Performance Tracks (for digital playback version), Setup Photos, and Reference Recording (performed by Quey Percussion Duo). This purchase DOES NOT include the orchestra or wind ensemble parts - those are a separate purchase (rental only).

Compositions: Large Ensemble [difficulty level: professional]
 
  • Performed by Quey Percusion Duo with the Columbus State University Symphony Orchestra/Paul Hostetter, conductor

"soniChroma" (meaning sound color") is a double concerto for two percussionists and orchestra (wind ensemble and digital playback versions also available). As the title suggests, a large focus of the piece is placed on unique sonic color and instrument combinations. This can be seen throughout the orchestra, but prominently in the large percussion solo setup. The percussion setup contains over seventy instruments including skins, metals, woods, strings, non-Western instruments, and found objects.

Throughout the work I wanted to reflect the diverse performance demands of the 21st Century percussionist. These performance modes range from classical percussionists, drum set players, keyboard soloists, and world music performers. The specific instruments and playing styles were chosen to reflect the performance experience of Quey Percussion Duo, for whom the piece was written.

Each of the three movements present a “color," both sonically and visually. The movements are titled after shades of three primary colors (yellow, blue, and red). While each movement represents a very specific visual color, the work is not overtly programmatic. The title merely suggests a visual representation of the music, including additional descriptors (“spark," “dusk," and “electric") to help frame the delivery of the music.

The digital performance tracks used for the digital playback version were composed by Marc Hill.  They were created by transporting the original orchestration to a new digital sound world.  Gene Koshinski and Marc Hill collaborated on the editing of the tracks and they were workshopped extensively by Quey Percussion Duo.

 
  • LIVESTREAM of performance on Dec 2, 2018
    Quey Percussion Duo (Gene Koshinski and Tim Broscious)
    with the Schwob Philharmonic at Columbus State University
    Paul Hostetter, Conductor
 
 

soniChroma I

 

soniChroma II

 

soniChroma III

 
  • Performed by Gene Koshinski and Tim Broscious (soloists) and the Performing Arts Institute Summer Music Festival (Paul Hostetter, conductor).